OLTL—Fri–2/4—"...it's going to be too late..."

Aubrey and Cutter are still freaking out over the camera in the thermostat.  "This is a nightmare, Cutter."  Just then, Joey walks into the suite, "What's a nightmare?"  Aubrey covers, by saying she had been calling him all night and she was SO worried.  Joey explains where he was all night—locked in the storage closet with Kelly.  Aubrey actually seems to be jealous.  Joey sense something is wrong with Aubrey, but she says everything is fine.  She is worried about the camera that either Clint or Kelly put in her thermostat.

We see Clint at the church looking at the flash drive that was in the thermostat, as he says to himself:  "Smile, Aubrey Wentworth—you're on Candid Camera."

Rama and Vimal arrive at the church and duck into a back room.  She suggests they wait until the guests arrive and then just blend in.  Since they are dressed in traditional East Indian clothing, Vimal says, "The only place we are going to 'blend in' is at a state dinner with the Prime Minister."  Rama is trying to convince Vimal he needs to tell everyone in the church about what Clint Buchanan did to his family.  Vimal is NOT convinced, so, we will see what happens.

Bo and Nora arrive early also, and are discussing Clint, when he comes up behind them.  Bo and Clint get into a terrible argument when Clint tells Bo their father would have been very upset to see the way he is treating his own brother—in fact, he would be ashamed of him, especially since he always thought that Bo's police work was a joke.  Bo finally has enough and punches Clint in the stomach.  Even Nora is shocked.

Viki is on the phone in the library when Jessica enters.  She tells Jessica, Todd sends his regrets about the wedding.  His reason:  He would rather gouge out his eyes with a sharp stick than to see John McBain happy.  Jessica tells her Roxi has a hanger over and won't be at the church either, but might make it to the reception.

Viki says that Charlie is still sick in bed, but then he appears in the doorway and asks to have a private conversation with Viki.  He wants to know why Echo's things are gone out of her room.  "I know she would never have left without telling me."  Viki says, "No, she would NEVER have left—voluntarily.  I threw her out."  "You what?"  He begins throwing a spoiled-brat tantrum and then goes on and on about "evicting Rex's mother and evicting Shane's
grandmother..."  [Personally, I would have a hard time dealing with that nonsense, especially when he just doesn't get it about Echo and Viki.  duh!!]

Rex and Gigi are just arriving at Llanfair and unfortunately, are now in the middle of the situation.  Viki mentions something about a new DNA test and so then, Rex has to explain to Charlie that he suspected the possibility someone may have tampered with the first test.  But the "new" test proved Charlie is his father.  In reality, Rex did not have another test, because he didn't want to know if Charlie did not turn out to be his father.

Rex gets a call from Echo and she tells him she is staying at the MinuteMan Motel.  When Charlie hears that, he is VERY upset—"that dump where that guy was murdered!"  Rex and Gigi say they need to check on Natalie and Jessica.  When they leave the room, Charlie lets loose on Viki.  Saying how Echo is fighting one of the toughest battles of her life, trying to keep from drinking, living in a fleabag motel and ripped away from her family... "I hope you're happy."

"Happy?"  Viki says she hasn't been happy since Echo started interfering in their lives.  She begs him to see her point of view and consider her feelings and look at all the good things they have in their life right now.  The girls are getting married and Rex just confirmed that he really is his son.  She asks him to decide if he is going to run off to rescue Echo, or if he is going to go to the church with her—his wife.

Marty runs away from St. Ann's to visit John and tell him something, but she can't remember what it is.  She does remember, however, that Natalie knocked her out and drove her to the lodge and she was the one who had the gun.  She says, Natalie was planning to leave her there.  John wants to know, "Why?"  "Because she didn't want me to tell you."  "Tell me what?"  "About the baby."

She is very frustrated because she can't remember everything and also because John just thinks she is confused about what really happened.  She struggles to put the pieces together because she knows it is important.  Then, she sees the wedding invitation laying on the table, and suddenly gets a clue:  "It wasn't about the baby we were supposed to have—it was about Brody—Brody and Natalie."  John says, "You mean Jessica and Brody—they have a son."  "No, it's about Brody and Natalie."

Kelly straggles into La Boulaíe in the morning, and tells Blair all of the details of the sleepover with Joey.  Blair shares with Kelly that she found the artist who painted her portrait from her wedding photo that he found at a flea market in Paris.  Kelly is very curious about that, but needs to get ready for the wedding, so goes upstairs.  The door bell rings and Blair opens the door.  There, standing in front of her is Tomas, her artist.

Marty is taken away by a nun and an attendant from St. Ann's.  She is begging John to let her stay a few more minutes until she remembers what she wanted to tell him, but she is forced to leave.  She keeps telling John that it's going to be too late. 

John goes back into his apartment and looks at the wedding invitation again. that triggered Marty's memory He notices that, at a glance, it reads as though it says:  Natalie and Brody.  His detective brain wants to know why that triggered Marty's memory...




Dun, dun, da....
     
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